Dedicated to Frank Faulk
-You
heard this?
-I
don't know.
-I'll
put it on. It's Frank Sinatra.
-LPs
are sexier than CDs.
-Give
it a listen.
-Oh.
-Any
room for me on that couch?
-Lots.
-No
scrinching?
-Nope,
none.
-You
have to listen. Listen to his voice.
-Dreamy.
-Are
you the woman of my dreams?
-Ho
ho I don't know!
-I
think you got some ideas.
-You
don't even know me.
-Maybe
not.
-No,
no, we're getting acquainted.
-Do
you want to be acquainted?
-Uh,
yeah. Is this your place?
-Yes,
it's cheap, miraculously.
-It's
better than my room.
-Dupont?
-Yeah,
on Dupont.
-Do
you feel?
-What?
-Are
you comfortable?
-Yes,
very, no doubt, fuh.
-The
record's nice.
-You
have a guitar.
-Are
you left-handed?
-No.
-I
strung it for me, leftie.
-I
can play.
-Guitar?
-Yeah,
my family, we all play.
-You
know how to play a guitar?
-Yeah.
-Can
you teach me stuff?
-What?
-Can
you give me lessons?
-This
is getting too fucking sick. Get off me! Is this all about you getting guitar
lessons? Did I leave the Rivoli with you to get asked to tell you how to play
the guitar? This story ends now.
*
She
woke up with a shout. Her husband asked her quickly: "What is it?"
She said: "My God, what a dream! I was in a boat on the ocean, and from
out of nowhere a great whale emerged nearby, and took to the air, and was
flying over the boat, about to crush it."
As
she arose and tidied herself and ate some breakfast, the dream started fading
from her memory, and, by the time she got to work, at her radio station, it was
no longer present to her at all, which was all to the good, considering what
happened next.
The
big lobby had all been re-arranged for an audition call. A big barrier
separated the entrance from the elevators and the coffee place, and she had to
prove she worked there in order to cross it.
However,
on the other side, there were more auditionees, changing their clothes. She was
pushing past them when some man spoke to her. The started on a conversation; he
thought she was another auditionee, and it took her so long to convince him she
wasn't, she started getting annoyed, him looking down at her, and she woke up with
a shout.
*
Test
"This
is an examination of general estimation. You have all shift to complete
it."
I
read the three essay questions, which appeared to have nothing to do with work.
I felt like I was at university again. A couple paragraphs of text, with broad
questions afterwards. It asked about intentions, motivations, vocabulary, and,
almost as an afterthought, meaning.
Unfortunately,
I had some other work to do that could not be ignored. So, I went off to do
some of the other work, and I returned in an hour.
The
examiner had noticed my absence, and she said to me: "If you don't have
time, J--, you can take the examination another day."
"No,
I'm fine."
I
wrote and wrote. When I write essays, I start at the beginning and keep going
once I've run out of language. Thus, I'd been at work on the first question for
a couple hours when the secondary examiner said: "They'll all have to be
typed, you know."
I
said: "Typed?"
He
pointed across the room. "The machines are over there."
"Will
we be judged for our typistry?"
He
smiled. "No, not really."
I
ran out of time. I ran out of time.
*
Paint
I
returned to the paint store the next day. I got the attention of a clerk, and I
explained.
"I
purchased this outdoor paint yesterday, and I have noticed the can doesn't have
any paint in it."
He
looked at the can skeptically. "It's latex emerald, isn't it?"
"No,
actually it's not."
"What
is it, then?"
"It's--and
I could be a bit off--it's a can of seaweed, tomatoes, and brine."
"Oh,
dear." His attitude was blankly disbelieving.
"Yes,
it's not emerald latex, or latex emerald, or whatever they call it in your
business. It looks like seaweed, tomatoes, and brine."
"May
I take a look at it?" (He was trying to move the conversation along.)
I
put the can down on the counter that separated us and pushed it towards him. He
produced from his pocket a brass lid-lifter or whatever it's called. He pried
under the lid and pulled it off. He looked in the can. "It's latex
emerald," he said.
I
looked. "Ah, yes, you're right. How could I have made such a
mistake?"
"Good
day, sir."
I
returned hope and opened the can again. Sure enough, it was filled with
seaweed, tomatoes, and brine.
*
The Gutter Story
I
had a scam attempted on me the last two days. Guy bangs on the door, says he'll
clean out the gutters over my porch, for $50. I think that sounds good, and
agree. Some hour goes by, ON MY BIRTHDAY, and I'm waiting. Guy, called 'Tim',
finally comes back, sez 'Tomorrow at eleven, would that be be good?' I say:
Sure.
This
morning, after having my BIRTHDAY PARTY, I find them outside. A ladder and
everything. I have no choice but to play dumb, because I'm a dummy. So while
they're up on this ladder, I pull my recycling bin around back, which takes a
bit of time since I have to circle the block. When I get back, the guy not
named Tim tells me that there's all kinds of rot in the roof over my porch!
Terrible! I tell not-'Tim' I can maybe talk to the owner about it, give me your
card. 'The porch itself is a wreck, you think you can do that too?' 'Oh yeah,
sure.' (At some point during this, I look up to notice that the gutter is still
filled with junk.)
I
drag the compost bin out back, down the way to the back of the house, and when
I come back, Tim and not-Tim have vanished.
I
tell all this to Mary, and she sez: "We had that roofing taken care of
last year."
I
went to the front room to look out at the roofing. Yes, it was solid and
secure.
Moral
of the story is: Don't be stupid like me!
POSTSCRIPT:
Having thought about the event for a week, I have come to realize the more
important aspects are that 'Tim' seemed very concerned about whether or not
someone would be home at eleven o'clock on the second day, and he also said we
should keep our doors locked (for some reason or not). I've come to think they
weren't planning on doing some work on the front of the house; in fact, they
were planning on ransacking our house for loot. Their whole operation was to
find out when no-one was home in order to break in and steal all my Schubert
CDs along with everything else of value. That was why they vanished so quickly;
they knew a futile task when they saw one. It took me a week to figure this
out.
*
Management Lesson
Outside,
the birds were raising a ruckus under the blue sky. Inside, some training was
taking place. The teacher and the student were working away.
-Explain
to me: How would you respond if an incendiary event took place?
-What's
that?
-We
have a long way to go. How would you respond if a fire broke out?
-I
said loudly: There's a fire! Everyone leave the building!
-No,
you shouldn't. Rather: A conflagration is actualized! Evacuate the locus!
-Ah,
right. Is 'right' okay?
-Yes,
it is beneficent.
-This
stuff isn't easy.
-Not
facile at all.
-How
much longer--er, what duration do you predict will have to eventuate before
perfection is attained?
-Perhaps
a month, inclusively reckoning.
-'A
conflagration is actualizing!' Wouldn't that be the more perfected tense usage?
-Ha!
Perhaps less than a month!
-Will
my certificate be personal?
-Yes,
it will have your personal nomen on it.
-My
very own cognomen?
-Precisely.
Once that occurs, you will possess a document stating you are prepared for
middle management.
Exterior
the cubicle, the avian class were eventuating a clamour beneath the cerulean airs.
Interior the cubicle, instruction was of the event. Pupil and master generated
knowledge important and promotional.
*
Whatever, Or
Whatever
could have happened to all the girls I've loved?
Where
is K. W.? I loved her when I was six, and she was so beautiful. I have no idea
where she got to.
Then
I loved T.-L., whom I loved more than any other girl. She was butch, but
curious. When I last had correspondence with her, she, with a kid or two, had
gone dyke, which was not a surprise to me.
At
Ryerson RTA, I didn't like any of the girls. Some I had bits of hots for, but
no. (Except for Ph., whom I'd runaway with to a South Sea island now.)
Then
there were four or five other girls whose names I can't recall. How can I not
recall the names of the women I've loved?
(Keep
in mind here that I am cr azily happy to be sharing my life with M. MacD. I
totally lucked out to be with such a honey.)
C.
L., alas. I was in love with her (though I didn't quite know it) and it seems
she was in love with me. If things had been a little different.... If we hadn't
have been so in love with being drunk and high.... she was so beautiful, big
brown hair.
She
kissed me when I told her I really wanted to be kissed by her. That was on
Avenue Road, a little north of Bloor, on a warm spring night. Some joker
passing by whistled a woo-hoo.
She
left Toronto to go back to Edmonton. Because she was too fucked up.
Meanwhile,
I went off to the Univ// C. came back, because she was in a band called The
Quitters. We smoked some hash in a park. It was all nice, but very melancholy,
since we both knew we should have gotten married.
Meanwhile,
I went off to University, and on the second day this pretty girl liked the
desert boots I was wearing. (Sometimes I feel sorry for M., knowing that her
affection for boots would result in her marrying the rando who stood in them.)
That's
it. I still fall in love with girls here and there, almost daily, and I got
someone on my mind almost constantly, but there's some story among the thousand
stories I've read, could be a play, in which the patriarch sits down in his
chair and says: "I have arrived."
*
In
a long-forgotten zone of existence, the battle continues. In the lonely South
Pacific, a man and a woman met. His name, given to him by the tree-dwellers,
was Tarzan. (It had something to do with Tanzania, so goes the urban myth. How
the tree-dwellers knew about Tanzania is anyone's guess.) The woman--Jane, from
a very foreign land--Duluth--crashed there when she was trying to be the first
woman to fly solo across the Pacific. They fell in love, despite the war Tarzan
was involved in, and since he hadn't seen combat in decades, the raised a
family. The first child, Mowgli, knew the animals by name, and he would
disappear with them for weeks at a time. Their second child, the girl, was a
changeling: with a far-away look, she looked to the sky to insist she was from
somewhere very far away. They called her Princess.
In
the midst of their joys and their fears, word came from the monkeys that
something terrible was happening on another island. Tarzan and Jane built a
raft, and, after many months, reached another island, an island familiar to you
and me, and they became very famous. The rest is history.
*
It's About Time!
I
thought I was running late, so I asked a woman at the bus-stop: "Pardon
me, do you have the time?"
She
said: "That is a very difficult question, middle-aged man. When you asked
me that question, some seconds ago, it was very much a different time. I would
have to take whatever time I could come up with and take away ten seconds or so
to give you the time of your question. Or you may be asking about some future
time; but since time, as far as anyone knows, goes on forever, I wouldn't be
able to tell you what you were inquiring about, seeing as there's a seemingly
infinite number of possibilities. Perhaps you were talking about Greenwich Mean
Time, or better yet cosmic time, which has more intriguing answers. Since
relativity and gravitation affect the flow of time, the question is even
murkier, though all those matters are only of interest in accord to the past. We
are a certain distance away, and since sound waves travel rather slowly, I
don't think I could measure the time you asked me the question."
In
the meantime, I'd pulled out my big clock. "Ah, 9:45."
*
North or South?
I
was at the Greyhound bus station, in some place or another. I looked at the
board, trying to get an idea of directions. I saw there were two buses leaving
in the next half-hour. One was going north, and the other was going south.
I
had to decide, soon before I finished my bottle of scotch, which way to go. If
I went north, I'd be getting closer to my father, though it was still
conceivable I would still out of his reach. But--if I went south--I would be irreconcilably
independent.
I
stashed the bottle, and bought a ticket for south.
I
finished the scotch, tossed the bottle in the trash, and got on the 71 bus,
which rolled off out of the terminal.
On
the highway, the scenery started looking familiar. I stumbled up to the
bus-driver, and asked him: "Are we going south?"
The
bus-driver said: "Nope. This is Highway 51, and we're going north."
"I
thought I was going south. I wanted to go south."
"You're
on the wrong bus, buddy. Should I let you off at the next stop?"
I
stumbled back to my seat. "No," I said to myself.
*
"Friend"
So
I got this friend, a good friend, I've known him for forty years, and he used
to put up his musings on Facebook; observations and so on, plus reflections on
what it's like to be alive. You know, saying things that would be taken as
'deep' if you said them to someone face-to-face.
However,
no-one engaged him. I seemed he was being ignored. So, he quit Facebook altogether.*
Meanwhile,
I went on using Facebook as a publication tool, not concerned about, what,
looks, is that what they're called? Hum hum hum I'll go on and come up with
clever though not brilliant stuff, because I'm not brilliant not in the least.
Then,
in September or so last year, a friend I know whom I will not name--Geoff
Sinclair--puts up a picture of some ice cream cone, saying: "Ah, ice
cream!" and he gets some 200 'likes'.
And
I get nothing, ever.
Some
real sociologists recently showed that social media alienates people. The more you
engage, the more sad you feel. So, if you can get shadow-banned by saying:
"I hate all you fuckers who like ice-cream!" you'll be better
off.
*I
know he didn't. He's lurking.
*
Naked
Some
nine or ten thousand years ago, this Jewish guy ran into a friend of his--also
a Jew, so I'll call him 'second Jew'--and he said:
"Wow,
I got this thing in my head, it's funny, and I think it's profound too.
"So,
way back in the beginning, there were only two people. Man, woman. And they
were totally with God. First name basis. Then, somehow, this couple started to
become, like, intellectuals. And they started knowing this and that, and then
they got self-conscious, so much so that one day God was looking for them, but the
man and the woman sensed they'd broken a covenant, so that the couple hid,
because they were naked and all, and they didn't want God to see their sexes,
which, in this metaphor, stands in for knowledge. And God said: 'Hello, anyone
there?'
"And
the man and the woman--the first people, understand--called out to God and
said: 'We're here, but we're naked. Can you come back later?'
"And
God said: 'A-ha! You've turned away from me. From now on, there shall be a
divide between us. You have secrets. From me, your maker! You are going
to deceive yourselves into thinking that I may not be your God and maker. You, in
what you call your nakedness, as if you could be anything other than naked to
me, will deceive yourselves, thinking you are not naked to my eyes. I see you,
and I can even know when you're deceiving me. Put on some clothes if you want,
pack some bags, because I'm tossing you out of this nice place and you'll live
in a desert from now on, and it's cold in the desert at night. You've lied to
me. How you managed to learn how to lie to me. Yeah, I know that's not a complete
sentence.
"'As
if your cock and pussy are something I don't know about! As if I didn't give
them to you! As if you can hide them from me, your God and maker! You'll believe,
with your "knowledge", that we're apart, but it will be a delusion. I
will know you, but you'll have to struggle like crazy to know me.'
"The
couple are our heritage."
Second
Jew says: "Wow, that's pretty good. You should write it down."
First
Jew says: "Yeah, but I'll edit it all. Writing is expensive."
*
This Dream
I
had without sleeping. More common than you think.
Hermann
Broch wrote a whole book about it - The Sleepwalkers. All about how we dream,
and dream ourselves into evil. Walk around dreaming, taking our dreams for
true.
No
complete sentences here.
Don't
know what to do to heal me. Maybe love people more - but people, knowing as I
am because I'm one of them, are filthy.
All
out here: so much bullshit, so much hypocrisy, if you got some sense it makes
you hurl. The horror of what we see, if you're not going fucking mad you're not
paying attention.
All
in insane asylums, all of us. No-one, though, would be left to carry the keys.
Chance
- serendipity - Erykah Badu - a Black voice performing Network Peter Finch - our
air isn't fit to breathe, our food isn't fit to eat - I should be more mad - I
sound like Celine - breathless, crazy - but with hyphens - and soon I'll sleep
and dream and pretend I'm not in a nightmare -
Facebook
machine contacted me a couple weeks ago - Are you going through a mental-health
crisis? (As if insanity isn't a rational response to our current madness.)
"You
seem to be having a crisis. Do you want some contacts?"
Poor
kids, poor kids, hooked on this Internet drug, can't go outside, can't get into
the sack with one another, so afraid they are, so sucked are they on the
Internet. All right? Maybe not.
Remember:Remember:Remember:
calling up the Hodgson house, to talk to my girlfriend Terri-Lynn - her sister
answered, real telephone, left the handpiece off the cradle, then forgot about
the phone - an' I had the phone against me, waiting, but I stayed on the line
for a long time before giving up, I even whistled at their dog to call
attention to the open line.
This
the case, as much as we think things are fucked, they are fucked exponentially
for the kids? Badly educated, badly fed, breathing rotten air, no real
information getting to them, lost, neglected, secretly miserable, used,
exploited by their elders for political purposes, tossed up as shields, and I'm
being as crazy as I can.
"You
think I can tell you what to do? I can't tell you what to do. I'm just an idiot
on some screen. But, be angry. Angry!"
*
This is an old Hindu story that
don't fit anywhere. A boy falls in love with the princess, but the King tells
him: "If you want to marry the Princess my daughter, you got to go off and
find Truth."
So the boy goes off to the plains,
talks with the folks, but he doesn't find Truth.
He goes to the mountains, where all
the Brahmans are, but it still seems he hasn't found Truth.
Where is truth? As he's wandering,
a huge storm happens, and, when he's all wet and despondent, an old crone shows
up and takes him to her cottage.
She's crazy-old. Her face is
riddled with lines, her eyes are cataracted, her dugs are withered. The boy
tells her that he's been looking for Truth.
For the whole night, the hag tells
him the Truth. She tells him the real Truth. He listens, and understands.
In the morning, now knowing the
Truth, he departs, but, before he does so, he asks: "I should describe you
to the court, about whom I got the Truth from. How should I describe you?"
And the old crone says: "Tell
them I am young and beautiful."
*
High Park
A
dear friend of mine, in the ninth hour of today, wrote to me a little note
about her recent religious walks, the first of which involved High Park, and
like the texture of tea into which a pastry called a Madeleine has been dipped,
those words, 'High Park', made me nostalgic and lachrymose (as if I'm anything
other).
I'm
limiting myself to the first two scenarios. The later scenes I dare not
describe, ever.
I
lived for two years a block away from it. (High Park is in the west end of
Toronto. It's about two square miles, running from Bloor Street down to the
lake, and between High Park Blvd and Etobicoke. In it, there's a huge pond, and
even a small zoo in which they keep the smelliest animals they could find.) In
1986 or so, I stayed up all night writing a paper for a sociology class, and
just before dawn I, exhaustedly, walked to it, to see the sun rise. All alone,
I sat on a bench, and ruminated. The paper had been about nuclear war, and I
sat, waiting for the sun, thinking that Ronnie Raygun was going to blow all the
beauty up. It seemed certain to me he was going to do it.
Needless
to say, that didn't happen.
And
then, be still my heart and tears, some seven-or-so years later, I found myself
with Cheryl Lancastle, spring it was, sitting on the slope that looked down
upon the stage they do Shakespeare plays in the summer. (I can barely believe
it really happened.) She was talking about Jack Kerouac, but we were low on
wine, so I dashed off across the park, to the liquor store on Howard Park. (I
know I did it, but when I look at it, that's some four miles in all. But--I was
twenty-two, and four miles isn't very far.) Coming back, through my mind passed
a Kerouac thing about how you can't fall down a hill--so I ran down a hill,
fast as I could, and I found out you can't fall.
Heartbreak
and pain. When I showed up with the wine, it was like I hadn't been on an epic
travail, because I really hadn't. She said: "Ah!" and twisted off the
cap.
High
Park. Everyone has such stories. Everyone has places in their hearts for
nostalgia, tea, and Madeleines.
Addendum
It
breaks me to say there's some mis-interpretation going on. I met Cheryl Lancastle
at some party or another, and there was immediately some electricity between
us. For eighteen months, we were in daily contact. (We were both so young.) I
was too stupid to know that when she told me she was a virgin, "but I've
done everything else!" was a come-on. Too stupid.
She
had this big head of chestnut hair, like nothing I've seen since, wild and
crazy. She had a perfect complexion, like crème. She always wore black clothes,
because she was shy about her body, but, no doubt I am projecting backwards,
and being nostalgic and lachrymose, she should have been my wife of forty
years.
However,
we were both too fucked up. We were both drinking too much, and smoking too
much hash. Totally Tennessee Williams territory, and not in a stage-worthy way.
Every
year or so, I try to track her down. Last I knew, she was living in Edmonton
again. I'm only left with these delusions--or-maybe--I was just an idiot who
could not see she loved me a whole lot, but I was too retarded to see it.
Harsh,
but true.
Poem
On
grass, fifty feet from where 'Much
Ado
About Nothing' would be played,
I
loved her. She said: "More drink!"
And
because I loved her, I ran across
The
park, as fast as I could, to the store
On
Howard Park, to buy us some more wine.
I
did not know I was having my best day.
I
didn't know I was in love with her.
I
ran across the park and up the other side
To
get some cheap red wine, mid-priced,
And
then I ran back with it to be with her
(Though
I did not know I wanted to be with her)
And
straight from the bottle we drank it together.
When
she left Toronto, I wrote her nastily.
Hand-written,
so I have no copy.
The
morning she left, I wrote her she was horrible.
It
was very much like I was in love with her
(But
I didn't know it) & I'd been betrayed.
I
suppose break-ups are always terrible.
Months
later, she was in a music band
And
she came back to Toronto.
We
sat down in a park, and smoked some hash together.
Just
like old times.
Then
she went her way, and I mine.
Call
"Hello,
hello."
"Hello.
You hear me?"
"Yup.
What's your business here?"
"I
got no business. I'm an old friend of yours, and."
Who
the fuck are you?
John
Skaife, remember me?
Oh,
man, that was so long ago. What you up to?
I've
been working at the CBC, archive shit, for more than twenty years. What have
you been up to?
Fuck,
same old. So what's up with this phone call?
I
wrote you some nasty stuff, back when you left, and I don’t think I said sorry.
Yeah,
you were a total dick. I fuckin' hated you for months.
I
was totally in love with you. Didn't you see that?
Yeah,
and you did nothing. Maybe I was in love with you too, but even after I told
you I was a virgin, you couldn't do nothing.
Are
you saying--
Why
would a girl tell a guy she a 'virgin' if she didn't want to get fucked? You
are so stupid! We could have been happy together, my chestnut hair and your ginger
wilds, but you ruined it. I very much loved you, and you ruined it. Now I'm
dead, and you could have saved me, but you didn't.
*
Land Acko
So
I go to hear a Bach concert, Tafelmusik, St. Paul's church, Toronto. But, since
I haven't been to a concert or anything in the last nine months, I didn't have
my favorite gag prepared.
The
whole thing started with a land acknowledgement, and they talked about the
Iroquois, the Wendat, nomadic folks who set up shop here - for twenty years or
so at a time until they'd depleted the soil of nutrients - whereupon they moved
on to Mississauga or something like it.
So
my joke is: and I may have said it before, but I certainly whispered it Geoff
Sinclair at an opera a couple years ago, and that I should have said at the
cantata selections - but I had forgotten it - when they go through the various
aboriginal tribes who set down here, in Toronto, for a bit of a spell - I say
to my friend, be it Geoff or David:
"Why
don't they acknowledge the French tribe? They were here for some eighty years
before the English came. Do we anglos hate the French that much? Can't even say
our town was French? Shouldn't they be included in these speeches?"
*
Create!
I
guess every big city has an organization like TIFF. TIFF, since you don't have
a clue, is a movie-house in which they mostly play Euro-trash boring movies. If
I have to sit through another sensitive well-meaning junk movie, I'll have to
give up on the idea that there's any goodness in the world.
However,
I got this movie-going friend, and he's, like, constantly trying to get me to
go see the crap TIFF is playing, regardless that it's all Netflix-destined
garbage. Ooh, a sensitive portrayal of adolescence, so new. Ooh, a political
portrayal of adulthood, so novel.
This
movie-going friend stood me up on Friday. I bought a couple tickets to see 'Project
Hail Mary,' and I prepped (as I like to do) by finding out nothing about it. And
the fucker never showed up. I waited for thirty minutes, then it was too late
and I don't like being treated shabbily.
Thus--I
bought tickets--but he's incapable (maybe) of going to a movie that the elite
hasn't found ticket-worthy. (Because it wasn't playing at snob TIFF.) And so,
he didn't show up.
I
could have eaten the double-price easy, but I've totes stopped going to movies
alone. I did that for a long time, but I'm so fucking old now, I want to make
an event of it, which involves another person.
Thus,
whatever 'Project Hail Mary' is, I'll never see it. My sense of betrayal is so
giant, it's infected the movie itself.
1)
I'm not innocent. Years ago, I made a date with my brother, and then I forgot
he was going to show up at the bookstore on such-and-such a date. Two weeks
later, I remembered, and called him. He said, appropriately bitterly: "Oh,
it's the guy who stood me up."
2)
While I was ranting and raving this morning, saying how much I fucking hated
this movie-going friend of mine, throwing my arms all over the place, Mary got
all Catholic and told me to be more forgiving. And, yes, I calmed down a little,
because--perhaps he fell asleep--maybe he went to the wrong theatre--all that
considered--to buy some fucking tickets and then--nothing. Walt Whitman in, I
guess, Song of Myself, has the humane line: "Do you know what it's like to
be slighted?"
With
my hand on an aluminum post, waiting: I don't feel especially forgiving.
*
Strangers on a Train
With
my wife, we watched Strangers on a Train, for at least the second time. She
said: "I don't remember this at all."
And
I didn't say: "That's because you don't care. You lack the ability to
understand a simple movie, because it's not about you. It's about something you
don't get. We have seen this film before, but you don't recall it, because it's
not about you. You'd recall it if it was about you, but it's not about you.
Thus, you don't know anything about it, because it's not about you. Say nothing
more."
*
House
I
live in a house--a mansion, really--that's over two hundred years old. It was
constructed by my wife's great-great-great-great-grandfather, I think it was.
The
only drawback we discovered, after she'd inherited and we'd moved in, is that
there is only one bathroom, with a shower, and its only entrance is through the
room in which I sleep. (My wife and I have separate rooms because of our
insomnias.) When the place was built, naturally, it didn't have any bathroom;
it was a latter-day improvement, by my wife's great-grandfather, and it was
only used at night, since the outhouse was built forty yards away, and it gets
dark out here in nature.
Everything
went along swimmingly for a while. I didn't mind my wife coming into my room at
all hours, and we cannot build another bathroom, since it's expensive, what
with all the red tape involved in doing anything structural to a designated
heritage-house. (We can't even change the exterior colour!)
As
I said, everything went along swimmingly for a while, until we noticed how
expensive the upkeep was for a mansion with eight bedrooms. So, my wife came up
with an idea, and I couldn't argue about it. We would take in campers from nearby
Big City. We had a vast lawn, suitable for tents, and we could also put people
in the six other bedrooms.
It
was not as easy as you would think, though. This led to that and then back to
this, and here's what it's like now.
Every
morning, troupes of strangers would come into my bedroom and line up at the
bathroom. (Campers take a lot of showers since campers have sex all the time,
which is one of the central appeals of camping.) They would come in and wake my
up, and every morning I was a curiosity to them as I covered myself up to
dress, facing the blank wall across from the entrance. I've heard some
chuckles, too, as if they thought I'd been doing something which I actually
hadn't done.
Thus,
in the summer, I have to hold my tongue (for financial reasons) and let this
farcical situation continue, with strangers coming in at five in the morning.
(Campers like getting up early.)
Sometimes
I think I should give up, and get a divorce. However, divorces are expensive,
and take, like, over two hundred years to get.
*
Reasoning[1]
We[2]
like to think we're all pretty good at reasoning[3].
We can identify colours[4]
and textures[5]
and the like[6],
and we like to think we use the exterior world[7]
to furnish our interior worlds[8].
However, we are led astray so easily[9],
it's hard to believe it's so[10].
I personally have had beliefs[11]
that, over the course of time[12],
have turned out to be untrue[13].
Like: Klaatu was actually the Beatles[14],
you can hear a woman being murdered in Love Rollercoaster[15],
and that matter has only three states[16].
Where's reasoning?[17]
*
Say You're Sorry
It
was a mistake, so say you're sorry.
Something
went wrong, and you're to blame. Just say you're sorry.
We
all make mistakes, and you made a mistake. Simply just say you're sorry.
None
of us have a lot of time left, so make right what's wrong. Just simply say
you're sorry.
You'd
be surprised how forgiving people can be, so simply say you're sorry.
I
don't like bring it up and bringing it on as I am able to do. Just say you're
sorry.
I
can keep this up all day. Week. Month. Year. End it now by saying you're sorry.
There's
so many more people you don't know as compared to those you do know. Go easy on
everyone and say you're simply sorry.
You're
currently in adharma, and you can return to dharma, if only you say you're
sorry.
Second
chances, we all get second chances practically hurled at us. Just say you're
sorry.
From
on high, second chances are tossed like lightning. Just simply say you're
sorry.
I'm
not going to hold my breath any more. Just simply say you're sorry.
It
was a mistake, so say you're sorry.
Yes.
That's all. "Sorry."
*
Family Feud
‑Two
family members, come up, this is the final round. Hello, Judy, Phil. Ready?
‑We're
ready, we're ready.
‑We
surveyed a hundred households and asked them this question. 'What two English
words are never used in the same sentence?'
‑Bing!
‑Phil?
‑Uh,
haemorrhage and lust.
‑Haemorrhage
and lust, and the survey says.
‑Bing!
‑That
was answer number eight, with four percent. Judy, think you can top that?
‑I'll
try! How about--funicular and tragicomedy?
‑What's
the board say about funicular and tragicomedy?
—Bing!
‑Seven
percent! Answer five! Okay, let's go to your families now. Dan, what do you
think?
‑Virgule
and sassafras.
‑Board?
‑Bing!
-Aw,
that's six on the board. Over here, to Jessie. Jessie?
‑I
think marijuana and seascape.
‑Brah!
‑Not
on the board, brush up on your Shakespeare. Now to Ignatz, the family clown.
What say ye, Ignatz?
‑Tripartite
and eggshell white.
‑Take
it again, no phrases allowed!
‑Tripartite
and methacrylate.
—Tripartite
and methacrylate?
‑Bing!
‑Third,
seventeen percent! Still, there's two better answers. Over to Rebecca.
‑I
know this. Astigmatic and cavernous.
‑Board?
‑Bing!
‑Number
two! And, families, the game is over, since the number one answer has a gross obscenity
in it! You're all winners!
*
Fourteen Weeks Before Judgement Day
So,
this guy dies, and he winds up at the Gates of Heaven, and there's St. Peter
behind a mahogany desk, with an in-box, an out-box, and so on.
Without
a greeting, St. Peter says: "I've been going through your files, and,
sorry to tell you, you've been rejected."
The
guy says: "What? I haven't been a good person?"
"Nope,"
says St. Peter. "From what I understand, you've had several medical
treatments, and that's a big rubber stamp of no."
"What,
because I had a bladder infection?"
"It's
not the infection that matters; what matters is your reaction to it. You had
yourself chemically altered, and thus you're not pure enough for the big
guy."
"That's
outrageous. Everyone has medical treatments."
"And
it's been years since anyone has gotten past me. Them's the breaks."
"C'mon,
you can't be serious."
"I
am very serious. This ain't Sunday School."
"Can't
I appeal this judgement?"
"No
appeals. As if you could tell us anything we don't already know all
about."
"Look,
can I tell you a joke to explain?"
St.
Peter, as if knowing what to expect, slowly nods.
The
guy says: "Listen, Peter. There was this Pastor in a flood, he's had to
evacuate his ground floor. Some other folks in a boat float on by, and they
shout out: 'Hey, Pastor, get in our boat. We'll take you to higher ground.' And
the Pastor says: 'No, no, the Lord will protect me.' A day later the Pastor's
on his roof, and a boat comes by, not the same boat, but still. They call out
to him, 'C'mon, Pastor, let's get upstream.' And the Pastor says: 'No, I have
faith in my Lord.' Next day, he's at the peak of the roof, and standing. A
helicopter comes along, and through a megaphone is heard: 'Pastor! Grab this
rope!' The Pastor ignores them, because he's got faith in his Lord. Next day:
nothing.
"The
Pastor ends up here, I guess, and he's talking to you, St. Peter, and he's
saying: 'What happened? I had faith in the Lord, but nothing happened!'
"And
St. Peter replies, he says: 'What are you talking about? We sent two boats and
a helicopter for you!'"
St.
Peter, the real one, not the joke one, rolls his eyes and sighs. "I've
heard that joke so many times. It's sophistry. It's just sophistry. Next!"
*
Apropos of nothing
Think
back and reflect, audience. How have you harmed others?
I
can come up with a couple things about people I've harmed, but HOO BOY can I
come up with the receipts of who's harmed me.
First,
I harmed a nice girl named Eileen Ledbetter back in maybe 2008. I snubbed her
because she didn't respond sensitively enough when I told her, in Simcoe Park,
that I was falling apart and had to see a psychiatrist. She was simply smiling,
and I hated her smile. I never spoke to her again
.Apparently,
when she left the corporation some four months later, she left a vivid 'Fuck
You' note which I never saw, though others have. I was such a prick, and I
haven't yet been forgiven for it.
I
wrote about maybe seeing her on a streetcar some nine months ago. You'll have
to look it up.
Love
is strange.
***
It's
hard to know who we've harmed. People who have yelled at me?
Dennis
Dougherty yelled at me because he didn't know where I was. My father yelled at
me often, because I was not good.
And,
as you know, Dear Diary, that I was mean to Cheryl, whose engagement photo got
dug up by Roy Schulze, who may be happy and healthy somewhere in Alberta....
I
haven't added that she came back, in a van, with her band of musicians, eight
months later, and Mary and me saw her play, upstairs at Lee's Palace, good
music, and a couple days later Cheryl and me sat down at a park on Danforth
together and we made a spliff of hash and smoked it together ('I got some
hash.' 'I got some papers.' 'Let's rock!'). We had a good time there. She had
forgiven what a cunt I had been. We parted on good terms, and then Roy found a
picture indicating that my love had married, twenty-four years ago, and I know
she is happy, and I know she doesn't hate me for the horrible things I said to
her in that letter I scrawled to her that Sunday she left Toronto.
I
think those are the two women I've most.... Wait, there's another. A house
party, this girl thought I was cute on the concrete steps. I spurned her.
But
it's Eileen Ledbetter I have to apologize to. Sorry, and you're too pretty for
words.
*
"Can
you tell us the name of the guy?"
"I
think it was Mohammad. One of his friends said it."
"Not
much to go on. Hey, Jones, we got anything on rapists named Mohammad?"
[Offstage:
'Very funny, very funny indeed.']
"So,
why did you go up there, to his apartment?"
"I
dunno. In this sociology class, breaking barriers. To shed myself of my
ethnocentralism, I think that got me there."
"We're
cops, and we know crime. We're taking this seriously. Geez, four in the
morning. You want some coffee?"
"Something's
wrong."
"We'll
figure this out."
"No,
it's that I'm bleeding."
*
Stillness
Geoff
Sinclair, as I've seen him, when we go to the opera, sits incredibly still. He
puts his hands on his knees. His eyes move about, but he otherwise doesn't stir.
Whether it's Strauss or Janáček or that dullard Mozart, he'll always have
his hands placid.
At
this Tafelmusik performance a couple weeks ago, with David Smookler, I saw it
again. When the singers weren't singing, and were sitting there, doing nothing,
they didn't fidget. They sat, as stilly as possible, because they should not
want to be distractions.
This
all fits into it being Palm Sunday, today, somehow.
*
C'mon,
my beatnik lover chick let's put
Our
heads outside of space and time,
Like,
baby, out in the place where you
Give
me yours and I give you mine.
Who's
had the worser time, was me, was you?
We're
both disgusted at the shit we done.
But
not we're caught by messes past our minds;
It's
carnival, let's eat our fill and have
I'm
scaring you? Most days I scare myself.
My
pit is madness and combined with ire
I
got from being animal itself
Makes
my sympathetic for those guys
Whose
only legacy is local news.
"He
was a quiet guy. No-one knew he could ever do something like this."
But
I am quiet. Look elsewhere for the fire.
Old
and old. When people offhand say:
"I
got nothin'," they should toss a coin my way.
I
met our god the other day, or yesterday,
And
face-to-face what did I have for him?
I
told a joke to God. He didn't laugh.
He
didn't even smile. He glared as if
He
knew me for the bug I was, not more.
It's
9:45 on a Monday morning.
I
have to get working soon.
We'll
have something for dinner.
Then
TV.
*
I
got nothing to sell. I'm bereft, I'm nothing. All I got to say is about us
punks.
We've
read things others haven't. We know dirt, and we've done shit you wouldn't
believe.
I
remember some cop checking me for track marks. I wasn't on junk, but the cop
thought I might be. (Makes me think I should have been on junk. I never I guess
figured out how to get my hands on horse.)
I
got this rage in me, maybe from my father's bloodline, that says, in all
situations: Fuck you. I'm the angriest person you'll meet this week. My only
love is Mary, and everything else can get the fuck out of my face.
I
have to take that back a little, because I have a big love for, let's see if
you can see a pattern. I love my sister Joanne. I love my sister-in-law Liz. I
love Frank's wife Charlotte. I love Linda Sukloff. I love my friend Tammy. I
love my neighbour Margaret. I love my old friend Marlene Warnick. (Above it
all, I love my wife Mary.) And I love the girl, copper-coloured hair, I saw on
the TTC a whole year ago.
*
Rettop Yrrah and the Gross
Copyright Infringement
Rettop
Yrrah, of Welder's Row, Newcastle, was going out his business in his workshop
when his friend David came by.
"Hail
fellow, well met," said Rettop.
David
got right down to business. "Rettop, are you aware that a writer has taken
your name for use as the main character in a series of children's books?"
Rettop
was taken aback. "Not in the least."
"Drop
down to the nearest Coles, and ask them for a book about Rettop Yrrah, and
you'll see what I mean."
That
afternoon, Rettop dropped into his nearest Coles. "Excuse me, do you have
children's books featuring a character by the name of Rettop Yrrah?"
"We
have three titles in stock. They're very popular." The clerk led him to
the section, and there Rettop saw his name on three books, one of which was
faced out.
"My
God," he muttered. "Can this be mere chance?"
He
bought all three, even though one was a bit dinged in a corner.
That
night, he read the earliest one. The book had nothing to do with him same for
the name of the protagonist.
He
said aloud: "It must be just a co-incidence."
*
DANIEL
GARBER: "What are you doing here, at my stream?"
WHITE
WOMAN: "I'm putting my stones of trauma into it."
"There
are plenty of streams, thousands of them. So why mine?"
"It's
Lakota, so it's better than other streams."
"And
someone told you all this?"
"Yes,
my therapist in Denver, that the Lakota are wise."
"Well,
maybe so, but you're still trespassing."
"No
way. The land belongs to everyone."
"This
part doesn't. You got some chutzpah."
"This
ritual won't take long, please."
"You
got ten minutes, then vamoose."
"It's
for my broken heart."
"You're
gonna lecture me about broken hearts?"
*
"I
got all these people around me, who are using, to some extent, AI. Mary has
used it, Frank has used it, some other persons have said they've used it. Donna
Haraway predicted it back in the 90's. "We have always ever been
cyborgs." Since using any tool, such as a hammer, or a bone a la 2001, we
have become no-longer-quite-human. So, of course friends and lovers of mine
will use AI. They would not be human if they didn't. I don't know if I'm human
or not since, to be human, I should be tool-using, but I don't like this tool
(AI), which naturally makes me less-than-human in rejecting it."
I
was quite wrong. Donna Haraway is epiphenomenal here. We have to go back to
Meno, in which this character Socrates proves that mathematics is innate to
humanity, which is to say that, maybe, to be human is to be capable of using a
tool like math.
I
use our machines constantly. There's a swell story in the 1001 Nights about it
I could look up for you. It's about a horse running away from us clever men.
I
guess I'm finally getting what 'alienation' is all about.
*
C
I
lamented, some weeks ago, with an inappropriate amount of nostalgia, perhaps,
about C., so much so that DG almost chastised me. I figured she had ruined
herself through excesses, of drink or drugs, and was no more. Meanwhile, RS,
having nothing better to do, searched Alberta newspapers and found a wedding
announcement, from 2000, with a nice picture of C and her betrothed. Thus, she
found a good man and got married, and she is probably a mother, or perhaps even
a grandmother, by now.
At
about two in the morning I got awake, and I got to thinking about it all. Facts
are facts, even though we want better than them. There are levels below us and
above us. Below us, there's the facts of molecules and biology and even
molecular biology, while above us, above our consciousness, there's this stuff
you can call destiny or fate or chance. We crawl along that razor's edge our
entire lives, guided by both those forces that are out of our control, between
the land and the sky we live, subject to these powers we don't understand but
want to understand, through both science and theology.
Both
C and I can say: "Oh, it just didn't work out."
(C's
point of view could very well be: "I barely remember the guy. We went to
bars and we got drunk. He had read stuff, and I was lost, and he knew stuff. Sure,
I kissed him once, but that was only because he wanted to be kissed.")
C
went back home, to Alberta, to escape the madness of Toronto, and maybe me
myself, as an exemplar, to dry out, try to be no phony, and only once later,
with her band, called 'The Quitters', came into Toronto did I see her.
(This
is becoming a 'long read', because in the interim between when she left and
when we met again, she called me at the bookstore, said she was terribly
unhappy, that everything was a mess for her in Edmonton, and she begged me (perhaps
she was drunk) to please come to her. I jumped up, told MW and CV I had to go
to Alberta immediately, and then, after about an hour, I gained control of my
senses. Impractical and pointless [as you'll see below]. Four or five hours
later, I called her, and we both agreed it was monkeyshines.)
She
came into Toronto on some kind of a van, and I went with M to see her and her
band at Lee's Palace. They were pretty good.
Three
days later, C and me got together on the east Danforth. There's a little park
out there. She said: "I got some hash." I said: "I got some
papers." "Perfect!" she said.
I
never saw her again after that night, never talked to her again.
Which
returns to our original thesis. She was incredibly pretty, and I suppose I was
okay-looking too. Why didn't we? Somewhere, above or below, dictated we
couldn't. Below-speaking, it was because we were intimate like
brother-and-sister, and it would have been incestuous. Above-speaking, we would
and wanted to be in a New York play in which a man and a woman tear each other
to shreds nastily, for years and years.
Above
and below, it would have been evil.
Thanks
to RS who found the clipping that showed me that C probably turned out okay.
(To
C: Vanity, vanity, as we often said to one another: it was our touchstone. I'm
letting go of you now. I've loved you so deeply, it's hard to say. Goodbye.)
*
To Absent Friends
One.
After seeing the magnificent film Primate, which was magnificent in that it did
what every good show should, D, on a napkin, tried to show me his theory of
music. Since he's a jazz player and not a classical player--he can't even read
a chart--as he's making more and more esoteric cumbrances on his napkin I had
to say, like everyone has to eventually say to anyone who is partly sane:
"I don't get this. I know how music works, but jazz, I don't get."
Two.
The town blocked of a whole road downtown even though the road was a dead-end
street and thus used mostly for parking. All the cars lining that dead-end
streets were the cars of rich bureaucrat people.
Three.
I was talking to the Dalai Lama the other day, and he asked me: "Could you
help me? I've been trying to understand for so long the relationship you make
between internality and externality. Do you have a metaphor or some such for me
to understand?"
I
held up my left hand. "This is what internality looks like."
Then
I held up my right hand. "This is what externality looks like."
*
Spring
Finally,
the snow is gone. I thought it would never leave. The earth tilts on its axis,
making this planet inhabitable. If not for that, there wouldn't be a rocketship
flying on back to us.
Aside
from that, we would have missed out on a lot more. We wouldn't have spelling
and pedantry, for example. There wouldn't be the lark or the nightingale. What
about the big things, aside from rocketships? No ocean liners, and, I dare say,
no oceans at all. (I'm probably wrong about that one, but what the hell.)
There
would have been no words, no poetry, not even sha-la-la. Nothing would be everywhere,
because we wouldn't be around to know any thing.
And
what about desert island disks? Since, perhaps, there would be any oceans,
there wouldn't be any islands. And what about disks, they wouldn't be anywhere
available either. No record stores, no bookshops, I'm very grateful the planet
is tilted.
Nothing
but an emptiness no-one would know anything about. A trillion miles away, they
might see Sol, but not this third planet. Who would want to go there? A dead
planet, without even an interesting café? I love the tilt and what it's
created.
*
One of the tales in the 1001 nights
goes
something like this. (I haven't read in five years or so, and thus it is
incomplete.)
One
day, a long time ago, a monkey was wandering through the forest when he heard a
great commotion, and it was decidedly heading his way. Through the jungle came
a stampede of all the animals of the forest, and they passed by the monkey, not
stopping a bit. The monkey jumped onto a horse's back, and as they went along,
the monkey managed to yell:
"What's
going on? Is there a great fire back there?"
"No,
it's not a fire. It's something worse."
"What,
then? A volcano, an earthquake?"
"Those
are nothing compared to what we're fleeing."
"C'mon,
what is it?"
"It's
a new creature of the forest. It is called 'Man'."
"Wow,
he must be of a terrifying stature. How big is this 'Man'?"
"He's
about a third of my size."
"That's
it? And you're fleeing like mad?"
"Oh,
but you don't get it. This 'Man' is very very smart. He's going to dominate us
forever if we don't run away."
So
the monkey and the horse fled together this horrible being 'Man'.
[1]
This will be fun (sarc)
[2]
Speak for yourself, buddy
[3] A
definition would help here
[4]
You're gonna get spell-checked, buddy
[5]
Coming from someone who freaks out being touched, this is rich
[6]
Clever, leaving this open for other senses
[7]
Which is where? Outside body, or outside mind?
[8]
See above
[9] I
have to agree with you on that
[10]
You're disproving yourself
[11] That
word again
[12] Black
water this
[13] In
what way?
[14] They
were from Oshawa
[15] They
never denied this, for publicity purposes
[16] This
one stunned you more than the others
[17] You
know where it is. You know what it is. You know it all.